
There is something so exciting about seeing a really good movie. And it hasn't happened that much lately, I mean barring the stuff I saw in Toronto. But you really go into that expecting to see something good. I downloaded this Hindi movie Johnny Gaddaar (Johnny Rebel, if you want the literal translation) and it's basically one of those crime capers that's heavily stylized. If you watch any older crime films from the 60's and 70's that came out of India, you get really great music, good thrills, sexy ladies, and stylish heroes. All of that was thrown into this film, coupled with just a really kick ass storyline and a tight script. The only thing is, the songs are used in the background. Oh yeah, and the songs are awesome.
This is one of those rare films that gets it right; the acting is pitch perfect for the most part, which is interesting considering there is only one really huge name involved, and that's Dharmendra. He's not even present for a good chunk of the film. The other actors are either unheard ofs or are brand new, like for example, Neil Mukesh who played Johnny. He's got the right look and feel of the character, but he's slightly wooden in parts. Eh, that's ok, it's a tricky role to carry for your first film and he really runs with it. The director is only one film old, and he was responsible for another highly underrated movie Ek Hasina Thi. That's a really great revenge drama that takes place in the heart of the city, and is also extremely polished and songless. Both of these films are really gems, and I can't wait to see what he does next.
Back to the film, I've quite frankly never seen a Hindi film that so intelligently takes every little detail and throws it back in your face. I'm talking little details too. And its interesting how Johnny himself is somewhat of a coward in the first half, and then bizarrely transforms in the second half, even though you have no clue who you're rooting for. People who were villains at one point becomes the ones you want to solve the mystery, and then it totally flips. Every loose end is tied up for the most part. The cinematography is top notch, and the use of music is just great. It's got that touch of the Oceans Eleven jazz but it definitely has its own unique style. And it clocks in at 2 hours and 10 minutes. Any review that bitches about how long this one feels is really just full of crap; it's seamless.
I'm going to stop raving now but everyone should check this movie out. Now if only I wasn't the only person that reads this...